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"Dockton
Pier"

"Apple
Squared"

"Driftwood"

"Dandylion"

"Pink
Iris"
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A
Workshop Class by Jon Rader Jarvis
This
is a high content series . Each class member will participate
in the discussion of simple steps to improve watercolor painting,
from paint handling and paper selection, to mixed media and adding
what John Singer Sargent called "Flash". A note packet
handout will be provided with extensive information.
Class
Contents:
Paper:
Traditional and non-traditional
watercolor paper, rice paper,
specialty and small issue paper
makers
Paints:
Traditional and un-conventional
Paper preparation:
Stretching, heavy papers, Mixed
media
Presentation:
Portfolio,
Conservation materials, Mat&Acetate
Storage:
Mats, Cabinets and Museum Boxes
Alternatives:
Planning and use, Giclee, Offset,
Commercial Printmaking Studios
Long range planning and the future
COURSE
GOALS AND LEARNING OBJECTIVES: The Class series is divided into
10 parts. Each class will begin with a short lecture and end with
a demonstration and hands on practice with materials and discussion
points in the lecture. The class is designed to present at least
one new idea for each class lecture.
CLASS CONTENTS: Each watercolor demonstration will explore part
of the possibilites of watercolor painting, historically and explore
the practical ways to use them. There will be class demonstrations
on the practical aspects of materials creation and their effects
on the finished work. Class participation is encouraged.
Introduction
Materials and Techniques is a logical starting point for learning
to watercolor paint. Learning the basics of the materials and
how to use them, are the necessary skills for any artist. Since
we don't as a rule make our own paint or paper, that would seem
to be an anachronistic throwback to an earlier irrelevant day.
However, people who make choices from ignorance have only themselves
to blame when something goes wrong.
We study watercolor materials and what goes together to make the
everyday things we use to make art. Paint recipes will be included
and we will practice the simple process of making or enhancing
our own materials. Although time consuming, these educational
tools will show you how to improve the materials you use, the
intensity of the colors you choose for your palette and the longevity
of those materials. We begin with old media and forms, and progress
to the present day use. Then we will try to predict what the future
will bring.
STUDENT REQUIREMENTS: Bring note making materials and questions.
You may also bring watercolor materials to practice the demonstration
points. The greater the class participation, the greater the material
covered and depth of content.
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