Materials & Techniques of Painting byJon Rader Jarvis
Notes available on Mondays, homework due the following Friday
10/16/2006 -01/15/2007 Fee:FREE BY INVITATION ONLY
Painting alternatines 10/23/06              CRITIQUE       student work      demonstration    tales     Q&A

Homework

class #3

In the fringes at the edges of what is called painting, are many types of media, that live lives in two worlds these are: wash paintings (ink drawings), pastel paintings(drawings), watercolor crayon paintings (drswings), oil crayon paintings(drawings). Used primarily with drawing tools, these are classified as drawings, likewise if they are used primarily with brushes they are considered paintings. Used with both sets of tools, they may be called either or may be referred to as mixed media.

 

"A piece of fruit" using any media discussed so far, paint an: apple, banana, lemon, mangoe, pineapple or any other item that may be called fruit.

Drawing and painting tools are as complex or simple as you wish. The common surface for these fringe media is paper. For most media there are no requirements for paper preparation other than , perhaps stretching and presentation under glass. For the media that will adversely affect a paper surface, there are isolation techniques that are excellent. With oil on canvas, we begin with rabbit skin glue to isolate and protect the canvas from the oil layer. gesso provides a painting surface that can be rendered rough and grain or ultra smooth. To isolate a paper layer, we can coat with oil gesso, or with acrylic, gel medium or varnish, that will resist any solvent migration. The top gesso layer is optional depending on surface requirements

Materials
tales

You can draw directly on paper with watercolor crayon then use a bristle or synthetic sable brush to add water to blend the watercolor crayon into a paste with a small amount of water, or into watercolor washes with a little more watercolor. The final appearance will be very much like a painting. The crayon may be left dry and unblended to keep the appearance of a drawing. Experiment to see which you prefer.

Oil crayon behaves mush the same after the paper is prepared with an acrylic isolation layer and optional gesso surface preparation. Build up of crayon is blended with a solvent in the same way that watercolor crayon behaves. There are many types of oil crayons or pastels from grainy to very smooth. Play with the types before making a selection. There are as many types of crayons as there are tpyes of paint. Begin with a starter set of 8 to 10 crayons before investing in a larger set. The beginning sets are most cost effective and most useful.





There are sets of watercolor crayons that include a sharpener and places where water and shavings can melt into a paint medium, but, the sets are expensive by comparison to sets put together with items of your own choosing. Watercolor shavings can also be added to conventional watercolor washes as color enhancers and modifiers.

Technique

Watercolor pencils and other pencils deliver thin color layers and are rarely mistaken for paint media. I recommend the crayons for the best value in pigment and covering strength.

    
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INFO page Link

* An additional page link on watercolor paper and stretching.

 

 

 

 

 

 



 

 

 

watercolor sampler offer: http://www.stampzia.com/catalog/accessories/experimentalwatercolorpack.htm

watercolor canvas techniques: http://www.michaels.com/art/online/displayArticle?articleNum=ae0282

Footnotes

Links:
Brush manufacture,http://www.handprint.com/HP/WCL/brush1.html
Paper making: http://gort.ucsd.edu/preseduc/papermak.htm
http://42explore.com/papermaking.htm
http://www.infostuff.com/kids/paper.htm
http://laceimports.com/michelle/projects/paper_instr.html

Art Material suppliers:
Dakota Art Store,http://www.dakotaartstore.com/
Daniel Smith Inc.,http://www.danielsmith.com/
Utrecht Art Materials, http://www.utrechtart.com/cat_request/dsp_request_catalog.cfm
Cheap Joe's http://www.cheapjoes.com/store/navigation.asp
Dick Blick http://www.dickblick.com/

Bibliography

Techniques preview
egg tempera society techniques: http://www.eggtempera.com/paint.html :

Books:

"The Artist's Handbook" by Ralph Mayer
"Formulas for Painters" by Robert Massey
The Craftsman's Handbook: "Il Libro dell' Arte" by Cennino d'Andrea Cennini
"Creative Discoveries in Watermedia" by Pat Dews
"Splash" series
"Master Class in Watermedia: Techniques in Traditional and Experimental Painting" by Edward Betts

  Links: for class notes www.jonraderjarvis.com/classes.htm and email contact address jrj@jonraderjarvis.com
© 2006 Jon Rader Jarvis, all rights reserved