Materials & Techniques of Painting byJon Rader Jarvis
Notes available on Mondays, homework due the following Friday
10/16/2006 -01/15/2007 Fee:FREE BY INVITATION ONLY
Tales and Homely Homilies 10/23/06               CRITIQUE       studentwork      demonstration    tales     Q&A

Tools



The Master watercolor painter and the Fish Painting

I first heard this tale from a visiting printmaking master from Japan when I was an undergraduate. I have since heard it attributed to a chinese and a French watercolor artist.

There was a famous watercolorist contacted by an important man who wanted to commission a painting of a fish. The artist agreed on a price and stated that he would need three weeks to complete the painting. Each week the man called only to be told , "another week". Once three months had passed he came to the artists studio, grabbed him by the collar and ordered "paint the fish" The artist took a sheet of paper sat at his painting table and turned out the most beautiful fish painting the man had ever seen. The man stood and asked "If it was so easy for you, why did you keep putting me off?" The artist walked across the room and opened the doors of a large cabinet. Hundreds of fish paintings slid out across the floor.

There is a moral: If you are a beginner or novice you may become a master able to teach what you want to learn by the rule of 400. Complete 400 fully developed paintings or drawings, (not quick sketches) and you will be a master able to teach what you originally set out to learn.

Materials

 




Homework

The Sorcerer and the Enchanted Sword

[I tell this story about a friend - an air-brush artist who cannot draw a straight line without masking first and using an airbrush. It is the basis of a Larry Niven short story collection about magic.]

A sorcerer stood at the peak of a high mountain and looked into the distance. He saw a large muscular swordsman approaching, holding a great sword. When he was close enough the swordsman hailed the sorcerer." Prepare yourself evil sorcerer. I will use this enchanted sword to rid the world of your great evil." The sorcerer slowly stood facing the swordsman. "That is not a sword, and you are not carrying it to kill me." The swordsman faced him and spoke, "There is no reason to lie, we are at an ending." The sorcerer waved his hand and said "I will remove the enchantment upon your eyes". "There is no enchantment on me, but on this sword. "If it is not enchanted, switch hands with the sword." He could not. At another wave of his hand speaking enchanted words, the sword shimmered and finally the swordsman saw a demon with fangs and claws sunk in his arm. The sorcerer said "The demon was bringing you to wield him against me." I will banish the demon, but you will require time and rest to heal." With the wave of his hand the demon was gone.

Beware the beautiful tool that seems to answer all your questions. It is more likely to be a demon that will endanger your soul, by threatening your confidence in your own abilities. Better to make your own magic from within rather than adopt or purchase a magical tool.

 

Technique - cheating


"Heracles" by M.Spafford

"Heracles"


In almost every class, I encounter at least one student asking about cheating, Whatever is considered cheating, circumstances and timimg effect our perception. One of my instructors, who I claim as a mentor is Mike Spafford. He tells the best story about cheating. His subject matter is taken from Greek Mythology. His process is to paint on canvas alternating between stretcher bars and a plasterboard wall to alternate between rigid and flexing surfaces, in his basement. His son rode his tricycle around the basement watching his father compose images out of his own imagination. One day he brought his father a drawing he had made of a cat . His father praised the drawing and his son ran away in tears. Michael tried to ask what he had done. His wife finally telling him to stay away until the boy was ready to talk. A few days passed and Michael finally got a chance to apologize. "I'm sorry. What was wrong? I didn't mean to hurt your feelings" The boy answered, "I cheated". "I Looked at the cat".

moral: cheating is situational depending on viewpoint

INFO page Link

* An additional page link on watercolor paper and stretching.

The paint

gum arabic
 
Footnotes

Links:
Brush manufacture,http://www.handprint.com/HP/WCL/brush1.html
Paper making: http://gort.ucsd.edu/preseduc/papermak.htm
http://42explore.com/papermaking.htm
http://www.infostuff.com/kids/paper.htm
http://laceimports.com/michelle/projects/paper_instr.html

Art Material suppliers:
Dakota Art Store,http://www.dakotaartstore.com/
Daniel Smith Inc.,http://www.danielsmith.com/

Utrecht Art Materials,
http://www.utrechtart.com/cat_request/dsp_request_catalog.cfm
Cheap Joe's http://www.cheapjoes.com/store/navigation.asp
Dick Blick http://www.dickblick.com/

Bibliography

Techniques preview
egg tempera society techniques: http://www.eggtempera.com/paint.html :

Books:

"The Artist's Handbook" by Ralph Mayer
"Formulas for Painters" by Robert Massey
The Craftsman's Handbook: "Il Libro dell' Arte" by Cennino d'Andrea Cennini
"Creative Discoveries in Watermedia" by Pat Dews

"Splash" series
"Master Class in Watermedia: Techniques in Traditional and Experimental Painting" by Edward Betts

  Links: for class notes www.jonraderjarvis.com/classes.htm and email contact address jrj@jonraderjarvis.com
© 2006 Jon Rader Jarvis, all rights reserved