Introduction to Watercolor NSCC
Introduction to Watercolor Item: 7062 Jon Jarvis
12:30 PM - 3:00 PM Building: Sand Point Education Center
Sessions: 6 Sa Location: 6208 60TH AVE NE
Room posted at entrance 1/13/2007 - 2/17/2007
Class 2   01/27/07                                              student work      demonstration

NOTES




 

The English Technique consists of painting and washing out. It usually applies to Landscape painting. Distant hills are painted on the paper and then washed out. This process is repeated as hills and objects get closer to the front or picture plane. Each washing out removes a bit more from the earlier layers, and the result is a stepped illusion of painting atmosphere.

The contemporary or american technique is to paint directly, establishing the darkest values and lightest and modifying more and more until the image is complete. This preserves more of the brilliant white of the untouched paper and shows direct brushwork.

Discussing the "English Technique" might be a good place to begin the discussion of color. the muted colors of most English technique watercolor paintings, make a painter wish for brighter colors and more defined edges. A good color wheel* can replace a great deal of experimentation. You can lay out colors as they would be laid out on the palette, and produce mixtures of the paint in your collection. The advantage lies in an actual reference to colors you can mix. mixing tertiaries is the greatest help. How many different browns can you create? How many near-blacks?

Process & Imposed Forms

We will try small versions of each technique in class. Think of the still life as receding in distant space as you draw the composition and plan the painting.

Work in class"A Rock"

"Rock"by JRJ in class demonatration

Color mixing samples and laying in color - wet and dry. Working on simple subjects to explore the medium - in class "a rock" as a subject.

Demonstration of the image manipulation by adding color. Sometimes a french mat can add: depth, contrast and interest to an eye catching painting.

Gold leaf requires an adhesive. Plant gelatin and gum arabic are commonly used, allowed to dry and activated with breath, to render tacky but not wet. On wooden surfaces the gold leaf may be polished (burnished to a high shine using an agate burnishing tool. For paper work the back of the leaf paper is pressed with a bone paper crease tool or back of fingernail. Moisture or oil (grease) can tear the foil.

 

Homework

An egg painting as homework

Two kinds of homework: a painting outside of class, and WC sketches in the sketchbook.

Footnotes * In class production of a useful color wheel. or color chart
Bibliography

"Exploring Color" by Nita Leland
"Making Color Sing" by Jeanne Dobie AWS

Links

Nita Leland http://www.nitaleland.com
Jeanne Dobie http://www.jeannedobie.com

  Links: for class notes www.jonraderjarvis.com/classes.htm and email contact address jrj@jonraderjarvis.com
© 2007 Jon Rader Jarvis, all rights reserved