Illustrating Children's Books (Highline CC extended Learning)
CEUs: 1.2 $89.00 Item # 9604 - Main Campus - Bldg 10, Rm 201
Oct 10 - Dec 5 - 8 Wed 8:00 - 9:30PM     
    
OCT 17, 2007 Storyboard & original drawings. Plan working in color or Black & white. Pencil sketches for story board. Homework, a developed character image from the storyboard or not
Class 2

Free Storyboard software: http://www.atomiclearning.com/storyboardpro

our text

 

 

 

 

 

 

 


Mo Willems

 


weekly format

The storyboard is the foundation or base structure for the book illustration. Rough thumbnail sketches provide symmetry and flow. keeping us on track as we put the entire book together. After the initial idea, the storyboard is the most important element in writing a book.

Both classes share the same class structure a combination seminar/workshop to maximize your return in our limited time. This is a career building class, not just an informational or project class. Therefore: Homework is crucial. What we each get out of the class is directly proportional to how well we complete out-of-class work. A major part of the benefit of these classes is shared research: the books we choose to share and review, the original ideas we bring to explore, and the process we develop along the way, as well as benefits derived from direct publisher research and contact. For each publisher there are specific guidelines for submitting work. What I hope you all will take with you from this class is a process to apply to your project of: writing illustrating, editing, perfecting and finally acquiring acceptance by a publisher, and getting your book produced. These two classes have shared goals and develop along parallel lines arriving finally at the same point with a published book. Good luck to all of us.

"Beagle": http://www.weirdhat.com/


Images are a big part of children's books, whether written or drawn, they paint the pictures we see when we read the books and influence how the story is accepted or remembered. Whether we choose picture book or story book, the job of the illustrator is integral. Remember that we are telling two stories, one with words and word pictures and one with actual pictures, designed to stand alone apart from the writing to convey almost the same story as the words, but designed to augment and enhance the experience of the word pictures. Neither should be dominant, as far as we are able to control such things.

SHEEP IN THE BIG CITY
Cartoon Network's sketch-comedy cartoon featured more than a Sheep being chased by General Specific's Top Secret Military Organization. Check out these two sketches and Sheep's disco dancing to the hit-song "My Voice Is So High" (Written and Supervising directed by Mo)

Every week we will follow the same format. We will look at the homework, discuss class samples, draw in class, discuss next week's homework and end the class with a critique tag game.

Homework: Put family story ideas in journal/sketchbook - add images
Canson sketchbook Keeping a sketchbook always handy means you can quickly capture image ideas and thoughts as you encounter them. Think of the sketchbook as a peripheral part of your brain - a remote storage device to save early versions of image ideas, before you come to a final decision, and to save good ideas for other, later projects. As children we are taught that sketch books are places to play with images and let our minds wander. That is still the case, but to this add viewing it as an image reference library that can jump-start our imagination when those good ideas seem to elude us. Drawing in a sketchbook on a regular basis is an act of faith performed by any person who would make images as a way of life.
Links: for class notes www.jonraderjarvis.com/classes.htm and email contact address jrj@jonraderjarvis.com
© 2007 Jon Rader Jarvis, all rights reserved

 


Links: for class notes www.jonraderjarvis.com/classes.htm and email contact address jrj@jonraderjarvis.com © 2006 Jon Rader Jarvis, all rights reserved